FIDM Museum Blog

Research resources

One of the best aspects of working in a museum is the constant discoveries we make about our objects. In addition to preserving and protecting the objects in our care, we also spend a lot of time researching objects in our collection. Each object embodies a specific narrative, and it's our job to document and relate this story. One of our goals in starting this blog was to make these narratives widely available. We also share our research through regular exhibitions in our gallery, presentations at academic and community venues, and through our interactions with the faculty and students of FIDM.

When we're researching objects, we utilize a variety of resources. In our post today, we're going to reveal some of our sources! Readers, we'd also love to hear from you. Where do you turn when you are trying to find out more about a particular garment or designer?

Military influence

Military inspired fashion has been getting a lot of attention lately. March 2010 issues of Harper's Bazaar and Vogue (both American and British) feature fashion editorials focusing on garments in khaki and shades of olive, while a recent New York Times article also describes the trend. When examining the accompanying images, its clear that designers are primarily referencing 20th century military uniforms, which were designed in a variety of drab colors to make pinpointing a particular soldier difficult. Though solid color uniforms have been largely replaced by sophisticated camouflage patterns, the iconic military uniform is still a solid khaki or green.

Military uniforms haven't always been so sedate. Prior to about 1850, military uniforms were often elaborate affairs, featuring extensive embellishments and accessories. Ironically, the most elaborate uniforms were typically seen in times of peace, as functionality was less of a concern. Some of the more visually distinct elements found their way into feminine fashions. The FIDM Museum wool jacket below features gold braid and a high collar, elements commonly seen in these more fantastic uniforms.

Wool jacket
1891-92
Gift of Steven Porterfield
S2008.897.2

Ferragamo

Though Ferragamo shoes are closely associated with Italian luxury and chic, the roots of the company can be traced to southern California. Company founder Salvatore Ferragamo was born in Italy in 1898, but immigrated to the United States at age 14. Following in the footsteps of his older brothers, he first worked in a Boston shoe factory before making his way to Santa Barbara around 1914. With his brothers, Ferragamo opened a shoe repair shop, though he was soon creating custom shoes for the actors and films associated with the American Film Company, a silent-film studio based in Santa Barbara. In 1923, Ferragamo moved to Los Angeles and opened the Hollywood Boot Shop, where he designed custom shoes for famous customers, including Pola Negri, Gloria Swanson and others. In 1927, Ferragamo returned to Italy and established the company that bears his name today.

Mules
Ferragamo
1944-45
Museum Purchase
2004.5.38AB

Deconstruction in fashion

These days, it's fairly common to see garments incorporating raw edges, exposed seams and distressed textiles. Giving garments an unfinished appearance and hinting at the process of design and creation, this style is usually called deconstructionism. Initially intended to challenge widely held perceptions that garments must be flawlessly finished and enhance accepted definitions of beauty, these design elements have become so widely utilized that they've nearly lost the ability to shock and discomfort. Only extreme deconstruction can stop us in our tracks, such as the shredded and torn disarray of this Jean Paul Gaultier tank top. Though it appears to have been severely mistreated, this mesh tank was designed and manufactured to look tattered and torn.

Tank top
Jean Paul Gaultier
2002
Gift of Lee Sheppard
2003.38.1

Rudi Gernreich mini dress

Minidress
Rudi Gernreich
1967-68
Bequest of the Rudi Gernreich Estate
G85.331.1

Rudi Gernreich is probably best known for his most provocative creations, such as the monokini or this military ensemble. Though Gernreich was definitely interested in pushing fashion boundaries, some of his more light-hearted designs indicate an interest in non-Western dress. A specific focus on Asia reveals itself in the kabuki, kimono and Japanese schoolgirl dresses, all of which are loosely abstracted versions of garments worn in Japan. Gernreich also produced collections based on Chinese opera costumes and traditional garments of Thailand.

Alexander McQueen, you will be missed.

All of us at the FIDM Museum were saddened and shocked to learn of Alexander McQueen's death. Such a tremendous loss of creative talent is difficult to comprehend. McQueen's aesthetic was provocative and never shy of pushing limits. Individual garments (recent examples include "armadillo" shoes and bone patterned suits) were provocative, as were the narratives that inspired each collection. In addition to his creative abilities, McQueen was a master of his craft, with many calling him the finest woman's tailor of his generation. For anyone who questions the impact of a provocative designer on everyday dress, take a look at the jeans you're probably wearing right now. If they're low-waisted, you have Alexander McQueen to thank, as he first introduced the low-cut "bumster" trouser in the mid-nineties.

Forbidden fruit

A post from our Registrar, Meghan Grossman Hansen!

Apples are grown around the world in thousands of varieties, so it is not surprising that they are an undying symbol in mythology, fairy tales, and popular culture. Putting aside the more contemporary connections to John Lennon and Macintosh computers, the apple plays a pivotal role in the story of Adam and Eve, the trials of Hercules, and the fairy tale of Snow White. These associations take physical shape in a variety of perfume bottles based on the apple.

In the case of Lolita Lempicka’s First Fragrance, the connection between Eve and the Tree of Knowledge takes on a more romantic association, as the designer explains, “I drew on my distant memories to recreate this intense moment when a girl is waiting to become a woman.”¹

Miniature Perfume Bottle
Lolita: Lolita Lempicka Eau de Parfum
c. 1997-1999
Gift of Annette Green
F2005.860.1149A/C

Opening today!

Hollywood 2010: The Art of Motion Picture Costume Design

February 9, 2010-April 17, 2010

Don't miss the 18th Annual Art of Motion Picture Costume Design exhibition, where you'll get an up close look at over 100 costumes from last year's movies, such as Julie & Julia, Star Trek, An Education, and The Young Victoria. This free exhibition will be open to the public Tuesday through Saturday from 10 a.m. to 4 p.m.

The Young Victoria costume designed by Sandy Powell

The Young Victoria costume designed by Sandy Powell

Moving a museum collection

Heather Vaughan, of the dress studies blog Worn Through, interviewed our very own Christina Johnson about the process of moving our collection into compact storage. This was a HUGE project that took place over several months in 2008. You can read Christina's account of the move and see before/after photos of our storage facilities here.

Refashion

As a concept, fashion is based on the appeal of the new. Every season, silhouettes, colors and shapes are re-combined in an effort to create garments of such great appeal that you will replace (or at least supplement) your existing wardrobe. With the appearance of inexpensive, mass-market retailers that stock their racks with "fast fashions", it has become even easier to fill your closet with garments that resemble the latest runway offerings. Though the savvy shopper is often encouraged to pursue quality over quantity, it is far too easy for many shoppers to believe that new clothes = a new me.

In recent years, consumers and creators of fashion have begun to look at the issue of fashion consumption with a more critical eye. Some creators and producers of fashion struggle with what sustainability and eco-fashion can mean on a practical level through altering production methods or utilizing eco-friendly textiles. Many consumers have taken the issue into their own hands by purchasing only second-hand garments or sewing their own clothes. Others engage in wardrobe refashioning or remixing, a concept which promotes rethinking your closet by recombining or altering those garments you already own.

Refashioning or altering garments to update their style or function is not a new concept. Until the mid-to-late 20th century, most garments were costly enough that they were worn until no longer functional, passed on to someone else or refashioned. In the FIDM Museum collection, we have several examples of garments that have been reimagined to suit the changing needs of the wearer.

Day dress
1853-54
Gift of the Helen Larson Estate
S2001.31.18A-C