During the later years of the 1960s, the '"little girl" look was prominent in fashion. Many women dressed in loose, A-line shift dresses similar to those worn by little girls and accessorized with items (hairbows, headbands, flat shoes) associated with youth. Twiggy, with her childlike appearance and demeanor, is the iconic representation of this style. As described in a somewhat satirical 1968 New York Times article, designers "flipped over the princess dresses and little smocked numbers" worn by little girls and "made the dresses larger, used very expensive fabrics and put price tags on big enough to pay for a little backyard merry-go-round."1
Smocked dress
Jeanne Lanvin
c. 1968
Museum Purchase
S2003.5.16
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As designer for Lanvin since 2002, Alber Elbaz has brought new life to what had become a house on the periphery of fashion. Founded in 1885 as a millinery shop, Lanvin flourished under the direction of its founder, Jeanne Lanvin. Lanvin excelled in the creation of elegant, sophisticated garments with a distinct silhouette and inventive surface decoration. After Lanvin's death in 1946, a series of designers headed the house, though none to such acclaim as Jeanne Lanvin herself. It was only with the hiring of Alber Elbaz that Lanvin began to return to a position of prominence. Though Elbaz's designs for Lanvin are lauded for their modernity, it is possible to find traces of Jeanne Lanvin's aesthetic running throughout his work.
Evening dress
Winter 2004
Alber Elbaz for Lanvin
Gift of Barbara Bundy
2006.37.8
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